Philip Hopper

he, him, his

Associate Professor, Digital Media-Production

Advisor, KULT

Philip Hopper
Location

340 Lang Hall

Phone
319 273-7155

Philip Hopper

he, him, his

Associate Professor, Digital Media-Production

Advisor, KULT

   Clocks for Seeing

Phil’s work concerns vernacular image-making that addresses political conflicts. As a Fulbright Scholar based in Ramallah, Palestine, Phil shot and edited the short film The Park in Ramallah, which focuses on a treasured children’s playground in the city of Ramallah, Palestine and depicts rarely-seen images of Palestinian families leading “normal” lives with their children within this green sanctuary, all the while the Israeli-Palestinian conflict rages out of range. The film was selected for the Silver Remi Award at the 2015 WorldFest-Houston film festival and the El Rey Award for Excellence in Documentary Short Filmmaking at the 2015 Barcelona International Film Festival.

A secondary area of Phil’s creative work involves vernacular photography and family snapshots as alternative history. His work takes him again, with a second Fulbright award, to the Middle East, this time to Israel to enhance an existing oral history based project, The Time Tunnel, with photographs, including archival and contemporary portraits. His goal is to link a similar archive at the Palestinian Museum in the West Bank at BIrziet University then juxtapose the images and oral histories chronologically. The overall plan is to find common ground for discussion, exploration, and conflict resolution between Israel and Palestine, and connect these two projects with the Fortepan Iowa (https://fortepan.us) project at UNI. Phil also actively presents his written and photographic work at various conferences, exhibitions, community centers, and academic journals.

Education

M.F.A. Filmmaking, San Francisco Art Institute; M.FA. – Studio Diploma – School of the Museum of Fine Art, Boston

Teaching Interests

Phil teaches classes in digital media production, digital writing, studio production, photojournalism, and digital media criticism. He is personally interested in all forms of photography from traditional analog film to digital High Dynamic Range (HDR). He brings years of creative media professional experience to UNI, having worked in the field as a creative media producer and/or director for a variety of organizations, including NHK/Mico, Japanese Television in America, CBS Sports, the Smithsonian Institution, and the National Hospital Workers Union. His teaching interests concern how written texts are transformed into media texts. He also involves his students in producing a regular weekly live broadcast and web-based show.

Research Interests

Vernacular image-making in political conflicts; vernacular photography.